Anna Miller

Jodie Comer gives a stunning powerhouse performance in Mahalia Belo’s beautifully shot feature debut The End We Start From.

Anna Kendrick uses the true story of The Dating Game killer to shine a light on the fears women endure every day in Woman of the Hour.

Despite fantastic performances from Elizabeth Olsen and Jesse Plemons, Love & Death falls into the worst tendencies of true crime.

Beef on Netflix takes over-the-top absurdity to the next level and makes it work thanks to Steven Yeun and Ali Wong’s performances.

Run Rabbit Run poorly steals all of its elements of psychological horror from better films, not even Sarah Snook can save this dud.

Eileen is an enchanting and deeply twisted noir that boasts career best performances from Thomasin McKenzie and Anne Hathaway.

That ’90s Show might have its cute moments, especially with Kurtwood Smith and Debra Jo Rupp, but it’s entirely forgettable.

Wednesday isn’t really ground-breaking for Netflix originals but Jenna Ortega still pays great tribute to the Addams Family legacy.

We break down how Bodies Bodies Bodies uses the horrors of social media and technology to critique its target audience in Gen Z.

The Wonder is a cautionary period tale that won’t be easy to forget thanks to yet another powerhouse performance from Florence Pugh.