Disney’s live-action adaptation of ‘Artemis Fowl’ may have a few perks, but not even Kenneth Branagh can save the film from its own convolutions.
Author: Beatrine Shahzad
Illumination’s adaptation of Dr. Seuss’ “The Lorax’ may miss the target at times, but it strives to hold a valuable place within cinema nonetheless.
Complex adoration for the city by the bay is used to explore the nuances of gentrification in ‘The Last Black Man in San Francisco’