Sheila Vand talks her experience working on Dave Franco’s directorial debut, ‘The Rental’, and the film’s unique blend of fear.
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Netflix’s latest series lead by Katherine Langford, ‘Cursed’, works well as a guilty pleasure but could use more fine tuning.
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The “Hamilfilm” on Disney Plus flaunts the original Broadway production’s qualities, while perpetuating its problematic implications.
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Due to recent allegations, Ansel Elgort’s leading role in ‘West Side Story’ may leave a trail of damages – but its not too late to fix that.
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Director Shannon Murphy flips the coming-of-age story on its head with ‘Babyteeth’. This indie tale of love, addiction, and loss is far from conventional.
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Disney’s live-action adaptation of ‘Artemis Fowl’ may have a few perks, but not even Kenneth Branagh can save the film from its own convolutions.
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Illumination’s adaptation of Dr. Seuss’ “The Lorax’ may miss the target at times, but it strives to hold a valuable place within cinema nonetheless.
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Complex adoration for the city by the bay is used to explore the nuances of gentrification in ‘The Last Black Man in San Francisco’