‘Concrete Cowboy’ has all the elements for a fantastic film, yet is held back from a lack of vision behind the camera.
Author: Ben Rolph
‘Shadow in the Cloud’ starts off strong, but quickly descends into a mad state of infinite ignorance. Not the good kind of crazy.
Steve McQueen’s ‘Lover’s Rock’ is a riveting tale of wonder and intimacy. A beautiful piece in his ‘Small Axe’ anthology.
‘Monday’ is not your typical romantic drama, it’s a crazed subversion that will leave you hooked on its absurd thrills.
Executed with style and a razor-sharp sense of wit, ‘Rocks’ is a beautiful ode to contemporary London youth.
‘One Night in Miami’, Regina King’s feature directorial debut is sure to stand as one of 2020’s most defining films.
The otherworldly yet timely nature of Christos Nikou’s ‘Apples’ makes for one of the most enthralling debuts of the year.
Disney’s live-action remake of ‘Mulan’ is simple yet effective in what it tries to achieve, but it never attempts to do more.
Christopher Nolan outdoes himself with ‘Tenet’, an invigorating and innovative spectacle that makes for this year’s best.
Disney’s ‘The One and Only Ivan’ leaves no surprises and is one of the weakest in the studio’s canon to feature talking animals.