Dwayne Johnson fulfills his long-time promise of delivering a Black Adam film that goes all-out on epic action and spectacle.
Author: Ben Rolph
Guillermo del Toro’s Pinocchio is a dark masterpiece that can be enjoyed by audiences of all ages. A new stop motion triumph.
Pinocchio on Disney+ is more forgettable Robert Zemeckis but this time he panders to young audiences in the most lazy way.
The Sandman kicks off with solid first season filled with promise and, sadly, plenty of poor visual effects even for Netflix’s standards.
Bullet Train owes a lot to Brad Pitt and its colorful ensemble, who fully commit themselves to David Leitch’s dark and obnoxious humor.
Three Thousand Years of Longing boasts all the visual style of a George Miller film but is bogged down by a tedious script.
Crimes of the Future delivers all the body horror expected from David Cronenberg, but its star cast saves it from dragging too much.
Coming off a stellar streak, Armageddon Time is sadly a severe, albeit well-intentioned, misfire for revered filmmaker James Gray.
Cinematographer Ari Wegner breaks down her long journey to awards glory with director Jane Campion on The Power of the Dog.
Paolo Sorrentino reflects on The Hand of God, his own troubled youth, and his latest Oscar nomination for Best International feature.