Na Hong-jin’s Hope (2026) is one of the wildest movies to ever premiere in competition at the Cannes Film Festival. This sci-fi monster thriller holds nothing…
Browsing: Cannes
Director James Gray gives his spin on the New York crime drama in Paper Tiger, but it’s far too derivative and even laughably bad at times.
Jordan Firstman’s feature directorial debut Club Kid is a transformative and endlessly sincere drama about community and selflessness.
Teenage Sex and Death at Camp Miasma is a masterful deconstruction of slashers and their lasting impact on horror fans through a queer lens.
The History of Sound (2025), directed by Oliver Hermanus (2022’s Living), is a restrained yet deeply moving drama quietly exploring a forbidden love story between two…
In his latest black comedy, writer-director Ari Aster plunges audiences into an ultra-realistic world. The fictional town of Eddington, New Mexico is Aster’s setting of choice…
Sean Byrne’s Dangerous Animals offers a fresh combination of serial killer and creature feature horror, but it comes short of reaching its full potential.
Jennifer Lawrence and Robert Pattinson deliver showstopping performances in Die, My Love, but the movie comes short of reaching true greatness.
The Phoenician Scheme is unlike Wes Anderson’s other recent films, putting an emphasis on comedy and Benicio del Toro’s singular performance.
Actor Harris Dickinson’s feature directorial debut, Urchin, is a powerful and poignant story about the vicious cycle of social inequality in East London.