Jack Quaid talks Hughie’s unexpected darker arc in The Boys Season 3 and finding his voice for My Adventures with Superman.
Author: Guy Dolbey
We break down how the past shows of series creator Jesse Armstrong can teach a valuable lesson about the ending of Succession.
My Father’s Dragon is another touching reminder from Cartoon Saloon of the enduring power of 2D animation to tell timeless stories.
Netflix’s Matilda musical adaptation lacks the magic of Roald Dahl’s original story but isn’t without its few charms.
Mamoru Hosoda’s latest film, ‘Belle’, is a touching story about how human connection can thrive in the digital age.
‘Inside’ is more than just a return to form for Bo Burnham, it’s a reckoning for the ways we are expected to perform online.
We examine how ‘The Boys’ is the only piece of modern superhero media to come close to Alan Moore’s themes from ‘Watchmen.’
‘Lupin III: The First’ is a genuine swashbuckling adventure that reflects the potential that the genre still has to excite.
‘Wolfwalkers’ is another win for Cartoon Saloon, a genuinely delightful tale and one of 2020’s best animated films at that.
Craig Roberts’ latest, ‘Eternal Beauty’ isn’t necessarily the best representation of mental illness, but it surely means well.





