Lead by Clancy Brown, Shudder’s ‘The Mortuary Collection’ is an impressive, finely tuned anthology not often seen in today’s horror scene.
Author: Nicolás Delgadillo
Nicolás Delgadillo
Nicolás Delgadillo is a movie and heavy metal junkie who can always be found at the theater or in the mosh pit. He is a Senior Film Critic for DiscussingFilm and also an entertainment contributor for Knotfest. He currently resides in Charlotte and is a proud member of the North Carolina Film Critics Association.
If you can overcome a few hurdles, then Shudder’s ‘The Cleansing Hour’ proves itself to be a wildly amusing good time.
Shudder’s latest exclusive, ‘Scare Me’ works better as a series of improv sketches than a fleshed out narrative.
Though far from perfect, ‘Once Upon a River’ is a win for representation and a mindful portrayal of the Native American experience.
Packed with an all-star cast, ‘Blackbird’ is a beautiful contemplation on life and death. An all too timely tale for 2020.
While the relentlessly dour mood may make it a tough watch, ‘The Devil All the Time’ succeeds with tremendous performances.
Filmmaker Jay Baruchel talks the inspirations behind his framing of violence and his fear of the United States as a Canadian.
Jay Baruchel’s ‘Random Acts of Violence’ goes beyond hollow gore and bloodshed, adding fuel to a complex conversation.
Jayro Bustamante’s ‘La Llorona’ is a ghastly form of wish fulfillment, the perfect approach for this age-old Latinx folklore.
Bob Marley would have turned 75 this year, making a revisit to the 2012 doc ‘Marley’ more essential than ever in today’s climate.