NEON

Ferrari may not be another Michael Mann masterpiece, but Adam Driver’s titular performance is some of the best work of his career.

Filmmaker Ninja Thyberg breaks down the controversial nature of Pleasure and ending the stigmas around the porn industry and sex work.

Crimes of the Future delivers all the body horror expected from David Cronenberg, but its star cast saves it from dragging too much.

A wildly electric and imaginative story told with expert craftsmanship, ‘Titane’ is a filmmaking feat of epic proportions.

Pablo Larraín’s ‘Spencer’ is the rare kind of biopic that portrays its main subject more fully-fledged than ever before.

In our second report for the 2022 Oscars, we dive into the booming festival season and which films have since risen in the race.

A wholly original and stirring work of art, ‘Pig’ is easily one of the best films of the year. Nicolas Cage doesn’t miss.

Ben Wheatley’s ‘In the Earth’ might be the first pandemic-inspired film to actually have nuance. Though it has other problems.

Ammonite is a mystifying gaze into a world of seaside-induced romanticism. Though you wish it were just a bit more refined.

Directed by Amy Seimetz, ‘She Dies Tomorrow’ depicts fear in a relentlessly bold way. Horror that is impossible to shake off.