The Son is sadly a disappointing follow up for Oscar-winner Florian Zeller, not even Hugh Jackman or Laura Dern can salvage this.
Venice 2022
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Blonde is a biopic unlike no other held together by unwavering dedication and strength from Ana de Armas as Marilyn Monroe.
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‘Don’t Worry Darling’ Review – Florence Pugh Shines in Dystopian Crowd-Pleaser | Venice 2022
Don’t Worry Darling is an effective and radiant crowd pleaser that elevates Florence Pugh’s mantle as a bonafide movie star.
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The Whale boasts Darren Aronofsky’s trademark claustrophobic style but feels slightly outdated with its depiction of obesity.
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Bones and All is a coming-of-age triumph, Taylor Russell and Timothée Chalamet are to die for in Luca Guadanino’s instant classic.
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Bardo is Alejandro González Iñárritu shooting for the stars in the most personal way, but it’s a bit too bloated for its own good.
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Noah Baumbach stays faithful in adapting Don DeLillo’s White Noise novel but misses the mark on making a coherent and engaging film.