Browsing: Film Festivals
Blonde is a biopic unlike no other held together by unwavering dedication and strength from Ana de Armas as Marilyn Monroe.
Don’t Worry Darling is an effective and radiant crowd pleaser that elevates Florence Pugh’s mantle as a bonafide movie star.
The Whale boasts Darren Aronofsky’s trademark claustrophobic style but feels slightly outdated with its depiction of obesity.
Bones and All is a coming-of-age triumph, Taylor Russell and Timothée Chalamet are to die for in Luca Guadanino’s instant classic.
Bardo is Alejandro González Iñárritu shooting for the stars in the most personal way, but it’s a bit too bloated for its own good.
Noah Baumbach stays faithful in adapting Don DeLillo’s White Noise novel but misses the mark on making a coherent and engaging film.
The official lineup from the 79th Annual Venice Film Festival, including Don’t Worry Darling, The Whale, and Blonde!
Three Thousand Years of Longing boasts all the visual style of a George Miller film but is bogged down by a tedious script.
Decision to Leave flaunts style, but a poor script holds it back from being as special as Park Chan-wook’s previous works.
Crimes of the Future delivers all the body horror expected from David Cronenberg, but its star cast saves it from dragging too much.