Blonde is a biopic unlike no other held together by unwavering dedication and strength from Ana de Armas as Marilyn Monroe.
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Bardo is Alejandro González Iñárritu shooting for the stars in the most personal way, but it’s a bit too bloated for its own good.
Noah Baumbach stays faithful in adapting Don DeLillo’s White Noise novel but misses the mark on making a coherent and engaging film.
Action maestro Chad Stahelski talks Day Shift, action films in the streaming world, and which films he’s ready to do after John Wick.
Squid Game breakout star Oh Young-soo reflects on his villainous arc as Oh Il-nam in the show and teases what he knows of Season 2 so far.
The Sandman kicks off with solid first season filled with promise and, sadly, plenty of poor visual effects even for Netflix’s standards.
The Russo Brothers assembled an all-star cast for their newest action movie hitting Netflix, but does The Gray Man stick the landing?
Writing duo Rhett Reese and Paul Wernick dive into Netflix’s Spiderhead and give an update on Deadpool 3 and Clue with Ryan Reynolds.
The full official nominations for the 74th Primetime Emmys, come see the latest major surprises and upsets for the 2022 TV season.
Netflix’s Persuasion is neither a horrible nor a great adaptation of Jane Austen’s classic novel, it’s just simply unimpressive.